Admittedly, my approach to this feast is colored by 17 years of education with the Religious of the Sacred Heart. I could belt out “Coeur de Jesus” with the best of them, but secretly admired my parents for refusing to drive across town for the celebration of the feast at school. School? In summer? When we’d so recently been freed?
That wasn’t the only ambivalence. Ever the sensitive-to-hypocrisy teen, I noticed that though the talk was about love, the practical reality was a fierce discipline, a pervasive obsession with rules, silence and order. Wiser people have counseled, “Let it go!” That was simply the era, a perhaps desperate attempt to corral hundreds of chattering girls. Other writers have explained that the feast itself represents progress from 17th century piety, with its emphasis on the externals of religion.
But somehow the rigidity softened at the front gate. There stood a statue which remains an icon somewhere deep in the psyche. It was a large representation of Jesus as the Sacred Heart, with the odd heart-outside-the-body typical of that art. But more important: his arms were flung wide in welcome. His hands didn’t hurl thunderbolts or brandish law books.
The stance epitomized St. Margaret Mary Alacoque’s insight: “The divine heart…is an ocean full of joy to drown all our sadness…” When she tried to convince others of this broadly inclusive approach, authorities called her delusional. (If only the prune-faces could’ve been around when she was vindicated: for the feast proclaimed in 1856, her canonization in 1920.)
That set the stage. Then in adulthood, I could understand Richard Rohr’s superb book, The Divine Dance: The Trinity and Your Transformation, where he explains that we can do nothing to make God love us more. “All is given all the time!” because God can’t not love.
If I could really believe that, live out of it, I’d have it made. We all would. So, thanks to the Sacred Heart for that good grounding.