“rich in what matters to God.” Luke 12:21
And what is that richness? Surely not the revolting wealth of billionaires that starves the hungry and jeopardizes medical care to 11 million people. Yet these moral midgets are currently at the top of the heap in U.S. society.
Another, more satisfying answer emerged at an exhibit of African-American quilts, Routed West: Twentieth-Century African American Quilts in California, displayed at the Berkeley Art Museum & Pacific Film Archive. (https://bampfa.org/program/routed-west) According to their website, during the Second Great Migration (1940 to 1970), millions of African-Americans traveled to California to escape the South’s oppressive racism and find better jobs. “They carried quilts as functional objects and physical reminders of the homes they left behind. The quilts in this exhibitionexplore the medium’s unique capacity for connecting kin across time and distance, holding memory and ancestral knowledge, and opening up space for beauty and artistic ingenuity.”
A caveat: it might seem glib for a white person in the 21st century to easily idealize the horrors of slavery these quilters endured or the Jim Crow they fled. But there the quilts hang—dazzling in color and craft, a silent tribute to their resilient makers. In a New York Times article, (https://www.nytimes.com/2025/05/31/arts/design/quilters-berkeley-museum.html?unlocked_article_code=1.LU8.ohNK.24EK-m_SsELM&smid=url-share) three generations of quilters speak for themselves.
Laverne Brackens (age 98) made “britches quilts” from jeans discarded by her children, with pockets, patches and faded, worn knee spots. For her daughter Sherry Byrd, quilting offered comfort when she needed it most. In Fairfield, Texas, she grew up watching her grandmother and great-grandmother at work and was often drafted to add ties to their quilts, using strings to secure the layers together. She didn’t begin making her own pieces until she was 33 and gave birth to her sixth child, Micah, who was stillborn.
“I had to find some way to work out the grief,” Byrd said. “I had five other children, and I couldn’t sit there crying all the time. I had to balance taking care of them and grieving over the baby that didn’t come home from the hospital.”
Her daughter, Bara Byrd-Stewart said, “you disappear into your own world when you’re quilting. It’s beautiful. Nobody can tell you what to do.” How she must’ve echoed enslaved ancestors whose days were dull and full of drudgery, but found hope and transcendence in their fabric creations. No one could’ve told them how to transform flour, tobacco and whiskey sacks into dazzling mosaics—they made it up as they went. No matter what the medium—woodworking, cake decorating, singing, sculpting, composing, film making, gardening, dancing—one who becomes deeply absorbed in creativity can lose track of time. Even the quilt stains are eloquent—coffee? Mud? Blood? What unknown stories splotch a creamy square.
Quilting was a communal task, so friends are stitched into the seams, bonds are sewn securely there. What conversations and songs must’ve flowed over the frames, what whispers and stories later tucked under the covers and into the beds. Did the makers wrap their quilts around people they loved who were sick or dying? What a final blessing, to be warmed and held by Molly’s or Addy’s comfort and skill.
There are many kinds of stained glass, not all found at Chartres.
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Enjoy 5 days at the Marillac Center, Leavenworth, KS with Kathy Coffey leading
The Genius of Jesus, The World of Women
October 13 at 4pm (arrive in afternoon)– October 18 after lunch
For more information or to register,
visit https://www.scls.org/prayer-spirituality/marillac-center/
or contact retreats@scls.org 913-758-6552 OR kcullen@scls.org 913-758-9714

