The human ego resists change, especially as we age. “Gimme my safe rut, even if it’s miserable!” we say, defying logic. But Advent presents a different approach to change.
The names at the beginning of today’s reading from Luke stand like marble pillars, suggesting what appears to be the stoic permanence of the governor, tetrarch and high priest. Against such stony political, military and religious might, how could a voice crying in the desert have any effect at all? Ah, stay tuned… What a topsy-turvy, crazy toppling will ensue.
Change is bound to come our way this season too—the usual routines so disrupted that some people eagerly anticipate the resumption of school and work schedules. But the two key figures of Advent, John the Baptist and Mary have no script foretelling the future, no promise that everything will go back to normal January 6.
Mary models the perfect response to God’s unexpected, even scandalous intervention in her life. When she told Gabriel, “May it be to me as you have said,” she had no guarantees. All she’d learned was the trust handed on by great great-grandmothers: if it comes from God’s hands, it must be perfectly tailored for me. If change brings us serious problems, do we run from them, or lean into them, wondering what they might teach us? Can we befriend our pain, knowing we’re more than its sting?
A stunning example of change occurs in the film “Small Things Like These” in which Cillian Murphy plays Bill Furlong, an Irish coal merchant who through flashbacks re-imagines the loss and grief of his childhood, thus making his final action credible. The film, set in 1985, is based on the novel by Claire Keegan, nominated for the Booker Prize in 2022. As the title suggests, the plot is low-key, restrained, a whisper rather than a shout about the hellish Magdalene laundries.
According to a review in NCR, between 1922 and 1996, more than 10,000 women were enslaved in ten institutions run by Catholic sisters in Ireland. (https://www.ncronline.org/culture/magdalene-laundries-are-topic-new-cillian-murphy-film-small-things-these) The film cites a government investigation into 18 “mother and baby” homes that confined “56,000 unmarried mothers and about 57,000 children” during that same period. This 2021 study also revealed that 9000 children died in these asylums. But in the small Irish town of the film, they function routinely as the pharmacy, bakery or pub.
Delivering coal to the laundry, Bill discovers a desperate young girl locked in the coal shed. When he tells Mother Superior (Emily Watson), she assures him that all is well, the suffering a mere misunderstanding, gilding her hypocrisy with veiled threats to his own five daughters in the sisters’ school, and a subtle bribe to buy his silence. When he tells his wife Eileen, she warns, “If you want to get on in this life, there are things you have to ignore.” A friend adds, “These nuns have a finger in every pie.”
Exactly the death grip of the Irish church on Irish society that one courageous act could start to unlock. Although Keegan insists that Bill is no hero, his last act stirs a resemblance: could he be a contemporary redeemer, his hands covered with coal dust? Maybe this is what Merton meant when he said: in every age, the gospel message speaks anew, indeed to our age, with its unique perplexities, crimes, and shinings. Our job? Pay attention.
